Eva's Prints

Lincoln Road Prints

Rena Lee - prints!

Parallel sidewalks border a road flowing towards a turning point at the end of a narrow street, congested with cars looking for diverse cuisines on either side. Aimed at the same general direction is the elevated path of the LIRR. Riders and pedestrians criss-cross to and from the same points within their bounded paths, while simultaneously creating shifting boundaries for cars and for each other. Repetitive sounds of train tracks, car engines, station announcements are interrupted by occasional street chatter and loud heels on the cement and cobblestone pavement. The point of convergence seems to be beyond a brand-new development called “NEW WORLD MALL”. This narrow street is not ready for more people as cars and pedestrians barely navigate past each other now without brushing, but relentless commercial development projects are slated for the coming years. The interactions between paths are slated to become chaotic, overrun by traffic, not only at the intersection of Prince Street and 40^th Rd, but throughout this lovely little town called Flushing.

converge     diverge      intersect      restrain      release      meander      fade

Moving from the bottom up towards the right, a gradual increase in darkness and openness can be seen. The congestion of cars and pedestrians is most extreme in the large plate, where there is hardly any white space left and the leaves imprinted by soft ground overlap and touch each other, as well as the boundaries set by the pedestrians criss-crossing on sidewalks. The paths of people constantly jay-walking across the congested streets is shown by the splotchy flows of sugar-lift, increasingly sporadic and heavily-used as the restricting dominance of cars decreases though there’s always a residue of sounds and soot. The resulting plates were not what I had in mind really; every iteration brought unexpected prints with varying lights and darks due to experimenting with pressures and etching times as well as mixing up plate placements. It was really a process of seeing how different methods of etching interacted over iterations and since my original goal was to show interactions of paths and boundaries, with people meandering like water through the streets, there was lots of uncertainty in what results would come of these many interactions. Overall, I’m satisfied with the final plates and prints (but I’ll probably layer on more outside of class to experiment more with sugar lift and aquatint).

converge      intersect      overlay     redirect      weave      meander      release 

Erica Schapiro-Sakashita's Prints

Mikaela Kvan's prints

Hannah Kramm Print Series

.......The location this series is inspired by is the Gowanus Canal in Brooklyn......

I would like to experiment with a series of three small plates arranged horizontally but with space between. These will be registered off one another and printed on single pass through the press as one image. The spaces between the plates can serve as a metaphor for the passing of time, and of hidden elements that get forgotten with history, as well as a reference to the physical, as bridges spanning a body of water separating it into sections.

The printing process is similar to geological time, layers corrosion and wear make a complete image after the many steps of process line up on top of eachother. This series focuses the concepts of Wear, Erosion, Accumulation, Trapping and Scraping, because of the endless flow and motion over a surface of water through time.

Brooklyn Bridge Park Printmaking

The Brooklyn Bridge Park consisted of many different textures. Since it is a spot where concrete, stones, the water, wind, trains and planes get combined, I thought it would be a rich area for observations. In terms of geometry, I think using undefined shapes and lines would imitate the movements I saw and felt in the site. For example, wave lines and maybe punctured holes can help me express the wind and the water. Words that may describe my site can be: erode, disrupt, and overlay. Below are three prints from my process of printmaking based on my sketch of what I observed in Brooklyn Bridge Park.

During my printmaking process, I tried to focus on the words that I chose before I started. I feel like the idea of eroding came through on my plate because the more I added on, the more "noise" I felt was created. More texture was implanted, and my plate's surface started to barely feel smooth anymore. Since I focused on noise when I first drew the sketch during the first phase of this project, I felt like the "distractions" I wanted to show actually came through on my plate. A new set of words that may describe my new plate is:

Erode
Erase [the peace from the first printing phase]

Decompose
Disrupt
Invade
Disperse
Fill